It's a Small World

Tobu World Square is a sort of model-builder’s dream. Landmark buildings and architectural feats from around the world are rendered to a maximum 1:25 scale. Included in this collection in the hills of Tochigi Prefecture about two hours from Tokyo are the great pyramids of Egypt, the Great Wall of China, the Parthenon of Greece, palaces and castles too numerous to list from western Europe and a Manhattan scene.

The models are detailed and include human figures in most to help show the scale. The exceptions to this general rule are the Great Wall, Angkor Wat and the models of older Japanese temples and shrines. 

Among the models from Japan are Tokyo station in its original glory, but complete with express trains and the shinkansen pulling in and out of the station, Narita airport with taxiing aircraft, and Yokohama Bay with boats making circuitous routes and moving traffic on the bay bridge, and Tokyo’s newest – and yet unfinished – “attraction” the Tokyo Sky Tree (that for some reason billows smoke/mist and bubbles).

Although the models are to varying scale, the world is not. The view from Yokohama Bay looks onto lower Manhattan, which consists of the Empire State Building, the Chrysler Building and the World Trade Center, with a brief notation about the latter’s destruction.

 It also includes a couple of street scenes. This is where things take a bit of a break from the general theme of the models.

Most of the models from Europe and Tokyo show bustling scenes in front of the buildings, parties and dancing in Europe’s palace courtyards. For reasons not explained on any signs, the New York Street scene shows on one side of a building a horrific car accident, complete with a body being removed. On the other side of the building the scene shows a bank robbery in progress. To an American friend, this raised a couple of questions: Why single out New York City (the only model from the U.S. – or the Americas for that matter) to include negative events? If you are going to include negative elements and negative perceptions of a city, why are there no train officials with a blue tarp hurriedly clearing the latest body from the Chuo Line in Tokyo? Where were the pick-pockets working the crowds of tourists in front of Europe’s cathedrals? (Or perhaps these were too subtle to notice.)

PS. I would like to thank the little Japanese boy who gleefully pointed out the bank robbery scene.

(This post is a couple months overdue.)